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Massive native instruments sound design tips
Massive native instruments sound design tips









massive native instruments sound design tips
  1. #MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS HOW TO#
  2. #MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS PATCH#
  3. #MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS FULL#
  4. #MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS SOFTWARE#

In order to catch up with them, we're going to look at not only their brand-new stand-alone synth, Massive, but also at the lastest versions of Absynth and the sucessor to FM7, FM8 - and we'll take a quick look at Kore v1.1 and the contents of Komplete 4.

#MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS SOFTWARE#

Native Instruments have been one of the most prolific music software developers in recent times, but even by their own standards they've been particularly busy lately. Is Native Instrument's new stand-alone soft synth as big as they say it is?

massive native instruments sound design tips

Bonus Module 2 - Jamming with Reference MaterialĪfter working out the correct key and scale, Liam jams over the beat to create some melodic phrases and ideas.A 16-step Performer module, with two crossfading modulation sequences. In this module, Liam teaches you some tips and tricks for working out the key of a track, and choosing the right notes to compose a melody or bassline.

#MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS PATCH#

Liam rounds off the patch by adding macros, changing the voicing settings and adding a flanger and chorus effects. This lesson focuses on the creation of an FX like lead patch, making use of pitch envelopes and heavily resonant notch and scream filters.

#MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS HOW TO#

He also shows how to EQ the sound to fit into the mix. Liam moves to the FX section of Massive to add some more finesse to the sound ,with the addition of some distortion, reverb and chorus. Module 7 - Adding FX and EQ to the Modulated Lead In this lesson, the tone is tweaked by use of vibrato, LFO and some more of Massive's insert effects such as the frequency shifter. He also begins to add macros to enable movement between two distinct timbres. Liam further shapes the sound by adding one of Massive's filters as well as some phase distortion via the modulation oscillator. This module teaches how to program a sustained lead synth patch, which will make extensive use of modulation and macros enabling you to switch between two distinct timbres.

massive native instruments sound design tips

The short and rhythmic lead patch is rounded off with some thickening and widening using the voicing, FX and Massive's on board EQ. Module 2 - Filtering the Lead SoundĬontinuing on from the previous module, Liam explains his choice of oscillators, envelopes and filter modulation.

massive native instruments sound design tips

The patch makes use of many of Massive's features, such as phase modulation, and effects such as parallel tube distortion. This first lesson walks through the creation of a short, percussive lead sound, inspired by the styles of EDM and Hardstyle. Modules in this course: Module 1 - Short and Rhythmic Lead Sound For more information, check out the module descriptions and sample module on the media tab. Included with the videos are the presets that Liam creates on the course, as well as 15 bonus Massive lead presets, courtesy of Loopmasters. The course is available to stream directly from the site after purchase, and is accessible 24/7/365. The course concludes with a couple of bonus modules teaching a few compositional tips to help you create effective melodies.

#MASSIVE NATIVE INSTRUMENTS SOUND DESIGN TIPS FULL#

The patches make full use of Massive’s capabilities, from complex evolving sounds controlled by macros, to rhythmic sounds with routing and envelope mapping allowing for intricate shaping of the timbre. On the course, Liam shares his extensive sound design knowledge, walking you through the creation of a variety of differing lead sounds. More recently, he has worked with Chris Octane as part of DnB outfit Colo(r), and has been delivering lectures at SSR London. He is also an accomplished DJ, having demonstrated his technical mixing and scratching skills on BBC 1Xtra, and having been endorsed by the likes of Serato and Vestax. Liam has been producing music for over 20 years, and is known for his work in the drum and bass scene as TST. Further your sound design skills and unlock new sonic possibilities with this course from producer Liam O’Mullane aka The Sound Tutor, focusing on the creation of soaring lead synths with NI Massive, one of the most popular soft synths on the market.











Massive native instruments sound design tips